Articles [refereed publications]
* "Debauching the Digitalis [this is me speaking to you]," in Alice Angus, ed. (Re)visions of Sex, A Companion to the third biennial of international photo-based art, (Edinburgh: Fotofeis, Ltd. 1997), pp. 22-31. The last section (Part VI) was filmed for "One Minute of Fame" [wherein 45 invited artists, philosophers, writers, etc. were asked to present their work in one minute] directed by Jean Previn [BBC production, aired the following year]. Originally appeared in Kroker and Kroker, Digital Delirium (New York: St. Martins Press, 1997), and translated into Korean for their 1999 re-publication.
* "Poesis and Poetics as Ecstatic Fetish: Foucault's Ethical Demand," in Jelica Sumic-Riha [ed]. Power and Resistance, Filozofski Vestnik, (Ljubljana: Znanstveno-raziskovalni Center SAZU Filozofski Institut, 1997), pp. 17-32. [An expanded revision of an earlier piece (see below) in which the notion of limit as fetish as its relation to the ethical is examined].
* "Revenge," invited paper given at Yale University and Binghamton (April 1997), revised and given at University of the Witswatesrand, Johannesburg, [Fine Arts Department and Dept. of Philosophy (Aug 1996)] and subsequently published in the eight technologies of otherness (London: Routledge, 1997), pp. xx-xxx.
* "Curiosity," in S.Golding, the eight technologies of otherness (London: Routledge, 1997), pp. xx-xxx. Original version in (A. Norval and D. Howarth, (eds.), Re-Considering the Political, (Oxford, 1995), pp. 97-112. Earliest versions given at the kind invitation of the Politics Department, Yale University; and at the Comparative Literature and Philosophy Department, Binghamton University (April - May, 1996).
* "Solar Clitoris," in parallax, 4, (February 1997): 137-150. [an examination of habeas corpus: there shall be the body, with reference to the use of law in Bataille's "Solar Anus," and Foucault's L'Usage des plaisirs]. Originally given at the International Bataille Conference, Leeds University, UK (February 1995), under the title: "The Lust, the Body, and the Elsewhere".
* "Pariah Bodies," [on the ethical realm of death, mourning, HIV/Aids and the re-invention of childhood]; invited paper at the Modern Languages Association (Washington DC, December 1996); earlier version in E. Probyn and L. Groz (eds), Sexy Bodies: The Strange Carnalities of Post-Modern Feminism, (London: Routledge, 1995). Re-worked version for The Death Conference, entitled: "I spy with my little eye, what is lost and what is found in the 'I' of this 'me'," Leeds University (March 1997), to be published as conference proceedings [1999] with John Wiley & Sons. Last section of this piece is written as a kind of modern-day fable, cataloguing a fight between a nightgown and a frog, an eye and a shoe.
* "Bearing Witness," introductory essay to the catalogue of works by the artist Pierre Imhof, 12 Months/ 365 Days/ One Year in the Life of... (London: Dash Gallery, 1996), pp. x-xx. [Discussion of the concept of history, space and time in Imhof's abstract works].
* "The Poetics of Foucault's Politics, or better yet: The Ethical Demand of Ecstatic Fetish," in J. Squires (ed). J'Accuse, New Formations, (London: Lawrence and Wishart, 1995), pp. x-xx.
* "Foreword," in desire, high heels, red wine, T. Archer et al, (Toronto: Insomniac Press, 1995), pp. 1-4. . [short essay on poetics, metamorphosis, virtual reality, and introducing the work of four artists, Timothy Archer, Sky Gilbert, Sonja Mills, Margaret Web].