Articles [refereed publications]


* "Singular Multiplicity: a re-visitation on 'identity' [breaking the code part 2]", in The Issues (in Contemporary Culture and Aesthetics), issue #10, April 2000, (Netherlands/Maastricht: Jan van Eyck Akademie, 2000). T his is the second part of a three part meditation, the first entitled "Breaking the [Honour] Code"; the third part entitled "Nomadic Codes: Skin, Taste, Burn" (see below for the other descriptions). The present [de-] coded meditation was originally given in Vienna, January 21, 2000, at the Institut Fur Gegenwartskunst, Akademie Der Bildenden Kunst, at the kind invitation of Prof. Ute Meta Bauer. Sections of this essay have been stolen or borrowed from the first meditation on honour. All three meditations were accompanied by a visual and sound wave comportment, which included timed slide-show [double slide imaging] around micro-macro cell structures, sexual montages, and so on. Included also was my video '…once upon a wormhole’ [1999]. In certain cases, Nirvana's 'in utero' and 'nevermind' as well as Portishead's 'Dummy' be-friended the presentation.

* "Nomadic Codes: Skin, Taste, Burn", in Jean Fisher (author/ed) Reverberations (a study of the politics, ethics and aesthetics of transculturalism), (Netherlands/Maastricht: Jan Van Eyck Akademie, 2000), pp. x-xx. This paper was originally given in Warsaw at the kind invitation of Anda Rottenberg, Chair of the International Association of Art Critics - World Congress, Warsaw, May 31-June 2, 1999. It was simultaneously translated into eleven languages, and involved the sound/visuals as described in the Singular Multiplicity piece.

* "Preface: The Map (of Honour)", in S. Golding (johnny de philo) author/ed, honour, parallax #13, Nov-Dec. 1999, pp. 1-2.

* "Breaking the (Honour) Code: ex-, post-, digi-facto (a few assumptions), in S. Golding (johnny de philo) author/editor of honour, parallax #13, Nov-Dec. 1999, pp. 26-37.

* "Blood Poetics," in Coil #7, edited by Giles Lane. (London: proboscis, 1998). A "bi-annual interface/[printed journal] between critical and creative texts and artist's projects, promoting collaboration across disciplines within the contexts of film, video and electronic media", and funded by Channel Four Television/Arts Council of England. [on immigration -- of nationals, bodies, sexualities and other frontier-crossings; text includes images from 19th century Victorian medical textbooks; and the Mütter Museum].

* "Derrida" and "Lyotard" in B. Benewick and P. Evans (eds.), The Routledge Dictionary of Contemporary Thinkers, 2nd edition (London: Routledge, 1998); [Two different extended analytic entries on their work within the Dictionary).