Books and/or Editorships [of books/journals]
* Dirty Theory, (London: Routledge, forthcoming 2000). This book explores the contemporary philosophic/cultural poetics of the information age, and its particular impact on identities (sexual, ethnic, nomadic), economies, and the ethical-political decisions one must take in the face of this transformation.
* Issues in Contemporary Culture and Aesthetics ("The Issues"), bi- annual publication (April and November). I accepted the invitation to become the Editor-in-Chief of the international (refereed) journal, established in 1990 at the Jan van Eyck Akademie [Maastricht]. Under my Editorship, its new mandate covers 'the theoretical and practical humanities in the political philosophies, arts and sciences of the visual/acoustics communities. As working papers of those on the cutting edge of their profession, it publishes text based and cd-rom articles, videos, sound installation drawing mainly from a European, Asian, and North American context.
* Honour, (author-editor), invited guest-editor for parallax, issue #13, Dec. 1999. This compilation of texts (of which three of my own pieces have been included; see below), asked philosophers, artists, technicians and poets to re-consider the question of 'honour' as we move into the 21st century.
* the eight technologies of otherness. author/editor. (London: Routledge, 1997). A re-thinking of identity, politics, philosophy, ethics under a rubric of eight technologies (curiosity, noise, cruelty, appetite, skin, nomadism, contamination, and dwelling). Thirty three contributors from the UK, Europe, South Africa, US, including: Kathy Acker, Ajamu, Andrew Benjamin, Steven Berkoff, Richard Etlin, Christopher Fynsk, Paul Gilroy, Sue Golding (johnny de philo), Paul Hallam, William Haver, Arthur and Marilouise Kroker, Ernesto Laclau, Doreen Massey, Jean-Luc Nancy, Joan Nestle, Catherine Opie, Adrian Rifkin, Allucquère Rosanne Stone, Jelica Sumic-Riha, Vron Ware, Jeffrey Weeks. It has been published to wide acclaim (due, in part, to the unique intersection of visual with text), and has remained on the non-fiction best-seller's list (Routledge).
* Gramsci's Democratic Theory. (Toronto/London: University of Toronto Press, 1992). [An analytic enquiry into Gramsci's Quaderni del Carcere, concentrating on his conceptualization of history, dialectics, poetics, and common sense].